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Posts Tagged ‘TWIMH’

This Week in Music History: November 24 to 30

Posted on: November 25th, 2014 by Ripple Creative Strategy No Comments

By Adam Bunch

THE BIRTH OF THE LOVIN’ SPOONFUL

It all started in the basement of the Albert Hotel in New York City’s Greenwich Village. It was the early 1960s. A Toronto guitarist by the name of Zal Yanovsky had been living there with some friends and former bandmates, but most of them were gone now – they’d recently dropped acid, thrown a dart at a map and headed off to the Virgin Islands to become The Mamas and The Papas. Yanovsky stayed behind. Instead of becoming Papa Zal, he teamed up with another friend – a harmonica player named John Sebastian – and they started to write some songs together. When their neighbours complained about the noise, the pair was forced down into the hotel’s basement, where they rehearsed their upbeat pop tunes surrounded by cockroaches and puddles.

It was a humble beginning for one of the most popular bands of the 1960s: The Lovin’ Spoonful. But they would soon leave that basement behind. The band’s very first single, “Do You Believe In Magic,” headed straight up the charts, all the way to the Top 10 – and that was just the beginning. Their second single was called “You Didn’t Have to Be So Nice.” It was released during this week in 1965. After that, they did it again and again and again. The Lovin’ Spoonful put every single one of their first seven singles into the Top 10 – a better start to their career than even The Beatles or The Rolling Stones had enjoyed. Three decades later, Zal Yanovksy would be inducted into the Canadian Music Hall of Fame.

“YOU DIDN’T HAVE TO BE SO NICE” BY THE LOVIN’ SPOONFUL

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CANADA’S FIRST VIOLINS

The story starts in the 1530s. That’s when the French explorer Jacques Cartier led an expedition up the St. Lawrence River – with more than a little help from the local First Nations – to become the first European ever to set eyes on that part of Canada. At the very same time that Cartier and his men were spending a winter stuck in the ice not far from where Quebec City is now, a new musical instrument was becoming popular back on the other side of the Atlantic. The European violin had gradually evolved from a series of Middle Eastern stringed instruments and now it was catching on.

It would be another few decades before Quebec City was founded, but when it was, the violin followed close behind. There were still only a few hundred people living in town when the first violins arrived. Many of those early inhabitants were Jesuit missionaries, and it was one of them who made an interesting note that has been passed down to us nearly 400 years later. It was during this week in 1645 that two violins were played at a wedding in Quebec City. It was, as far as we know, the very first time the sound of a violin was ever heard in Canada.

“O CANADA” ON VIOLIN

This Week in Music History: November 17 to 23

Posted on: November 18th, 2014 by Ripple Creative Strategy No Comments

By Adam Bunch

ANNE MURRAY’S “URBAN COWBOY” NO. 1

John Travolta was still a fresh-faced young actor back in 1980. He’d only played a leading role in two films at that point, but they happened to be two of the biggest films of the 1970s: Saturday Night Fever and Grease. They helped to make him an international superstar – and music played a very important role in both of those movies.

His new film would be no different. Travolta had already done disco and 1950s pop, now Urban Cowboy would capitalize on the popularity of country music. While the movie raked in money at the box office, the soundtrack would rocket all the way up the Billboard country charts to No. 1 – thanks, in part, to a smash hit by Anne Murray.

“Could I Have This Dance” followed the Urban Cowboy soundtrack on its journey up the country charts, hitting No. 1 during this week in 1980. It was already her fifth country chart-topper and the 10th time she’d broken into the Top 40 on the pop charts. Murray was inducted into the Canadian Music Hall of Fame in 1993.

“COULD I HAVE THIS DANCE” BY ANNE MURRAY IN “URBAN COWBOY”

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THE GODFATHER OF CELTIC MUSIC IN CANADA

They called him the Godfather of Celtic Music in Canada: a Cape Breton folk singer so popular, in fact, that he was named a member of the Order of Canada and awarded the Lifetime Achievement Award from the East Coast Music Awards. There’s no doubt that John Allan Cameron left a deep and lasting legacy in folk music scenes from one end of our country to the other.

But it didn’t always look like he was going to have a career in music. In the 1950s, Cameron had started out thinking that he was going to become a priest, changing his mind and getting a papal dispensation only a few short months before his ordination was scheduled to take place. Instead, he found his true calling in the 12-string guitar. By the end of the 1960s, Cameron had released his first full-length album. Nine more would follow by the end of his career. He performed at the Newport Folk Festival and the Mariposa Folk Festival and for Canadian troops stationed all over the world. He also became a fixture on the CBC: first on the famous “Singalong Jubilee” TV program (which also helped to launch the careers of Catherine McKinnon and Canadian Music Hall of Fame inductee Anne Murray) and then, in the 1970s, as the host of his very own shows.

His impressive career spanned an amazing five decades and is remembered by the profound influence he had on more than one generation of Canadian folk artists. It was during this week in 2006 that John Allan Cameron passed away.

JOHN ALLAN CAMERON TRIBUTE

This Week in Music History: November 10 to 16

Posted on: November 12th, 2014 by Ripple Creative Strategy No Comments

By Adam Bunch

ANOTHER NO. 1 FOR HANK SNOW

It was originally written by an Australian; the 1950s country song “I’ve Been Everywhere” was penned by singer-songwriter Geoff Mack. It was a travelling tune listing off a cornucopia of cities, towns and villages from around Mack’s homeland of Australia. Not long after it was first released, the song caught the attention of one of the biggest country music stars in the entire world: Canadian Music Hall of Fame inductee Hank Snow.

Snow decided to record his own version of the tune. But first, he rewrote it a bit. This time, instead of verses about Australian places, it would feature places from North America. Instead of singing about spots such as Mooloolaba, Wallumbilla, Woolloomooloo, Tuggerawong and Yeerongpilly, he’d sing about places like Toronto, Ottawa, Kingston, Waterloo and Fond du Lac.

It proved to be a very good decision. Snow’s version of “I’ve Been Everywhere” was a smash hit produced by the legendary Chet Atkins. During this week in 1962, it was sitting right at the very top of the Billboard country chart.

“I’VE BEEN EVERYWHERE” BY HANK SNOW

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THE BIRTH OF THREE WESTERN CANADIAN SYMPHONIES

Three of Western Canada’s biggest cities can trace the roots of their symphony orchestras back to this particular week in history.

The oldest is the one that started in Vancouver all the way back during this week in 1897 – 117 years ago – when 23 musicians teamed up with a conductor to play classical music at an old theatrical venue called Dunn Hall. They called themselves the Vancouver Symphony Orchestra, but they didn’t last very long: the group disbanded after only three performances. The modern version of the Vancouver Symphony Orchestra wouldn’t be permanently revived until 1930 and, before long, it had established itself as one of the most successful groups in Canada. By the end of the 1970s, the VSO had more subscribers than any other symphony orchestra on the entire continent. As recently as 2008, the VSO walked away with the JUNO Award for Classical Album of the Year.

By the time Vancouver’s was back up and running, the other two orchestras were well under way. It was during this week in 1913 that the Calgary Symphony Orchestra gave its very first performance. Decades later, it would merge with the Alberta Philharmonic to become the Calgary Philharmonic Orchestra. Today, 101 years after that first performance, it’s still going strong.

The youngest of the three is the Edmonton Symphony Orchestra, which turns 94 years old this week. It started off as a community orchestra in 1910, was suspended in the ’20s and revived in the ’50s. In the time since, Edmonton’s orchestra hasn’t been afraid to crossover and collaborate with stars from the world of pop music. It’s performed with everyone from Frank Zappa to Ben Folds and with Canadian Music Hall of Fame inductees including k.d. lang and Tom Cochrane. In 1976, the ESO even teamed up with Procol Harum to record Procol Harum Live with the Edmonton Symphony Orchestra. The album’s biggest single, “Conquistador,” became the very first “classical” recording ever to go Platinum.

“CONQUISTADOR” BY PROCOL HARUM AND THE EDMONTON SYMPHONY ORCHESTRA

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